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Hollow Giant奶油金剛

Director De-Chuen Wu × Mandala Films導演 吳德淳 × 簡單映相

DIRECTOR導演
De-Chuen Wu吳德淳
PRODUCTION製作
Mandala Films簡單映相有限公司
FORMAT形式
FULLDOME / 12 MIN穹頂/12 分鐘
YEAR年份
2025

Source: 來源:C-LAB ↗、Director and runtime: no public source found yet導演、片長:尚未找到公開來源

Hollow Giant — FULLDOME / 12 MIN

ABOUT THE WORK作品介紹

From the cave to the age of technology, director De-Chuen Wu uses dome animation to turn the venue into an immersive space like a globe-of-death stunt cage, leaving the audience to rethink, amid the spectacle, where civilisation is heading.從洞穴到科技時代,吳德淳導演以穹頂動畫將展場化為鐵籠飛車般的沉浸空間,讓觀眾在震撼之中,重新思考文明前進的方向。

Hollow Giant (2025, 12 min) was made by Mandala Films, a cross-disciplinary team focused on animation and immersive storytelling. Combining paper-cut art with animation, it traces humanity's path from exploring nature and widening its view to seeking control, only to be destroyed by a deeper force that strikes back. As civilisation keeps advancing, are we slowly losing our awareness of nature?

Screened in the dome theatre of Future Vision Lab 2025 at C-LAB (Taiwan Contemporary Culture Lab) on 29 and 30 November and 13 and 21 December 2025.

* This work contains strong flashing lights.

《奶油金剛》(2025,12 分鐘)由專注動畫與沉浸式敘事的跨域團隊簡單映相 Mandala Films 製作,結合紙雕藝術與動畫,描繪人類從探索自然、擴展視野,到追求控制,卻被更深層的反噬力量毀滅的過程。當文明不斷進步,我們是否也正逐步失去對自然的警覺?

2025 年 11 月 29 日、30 日與 12 月 13 日、21 日,於臺灣當代文化實驗場 C-LAB「未來視覺實驗室 Future Vision Lab 2025」穹頂劇場展映。

*本作品包含強烈閃光。

FROM THE OFFICIAL PAGES官方發布

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  2. 02Mandala Films簡單映相 Mandala Films

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VIDEOS影片 (3)

Hollow Giant — Trailer奶油金剛 Hollow Giant 預告Mandala Films簡單映相有限公司
Mandala Films — Hollow Giant簡單映相-奶油金剛PEDRO
FUTURE VISION LAB 2025 — TeaserFUTURE VISION LAB 2025 前導宣傳Taiwan Contemporary Culture Lab (C-LAB)臺灣當代文化實驗場 C-LAB

ROBOTOFU PERSPECTIVEROBOTOFU 觀點

CHENG WEIZHI handled animation and rendering on the team. The hardest part was that the animation does not take place on flat ground but across the inner surface of a dome, which made it very demanding. Hollow Giant is full of cars, scooters and tanks circling around; giving each its own sense of speed, letting them race and change lanes without passing through one another, was a real headache. In the end the experience at C-LAB was wonderful: when the characters start moving you really feel dizzy, and the immersion is fantastic.

程威誌在團隊裡擔任動畫與渲染。其中最困難的是,整個動畫不是在一般的平地上製作,而是在穹頂的內側表面上,讓動畫的製作難度非常高。《奶油金剛》裡有好多汽車、機車、坦克車在轉著圈圈,如何讓它們彼此有不同的速度感、互相競爭、變換車道,卻又不能穿模,真是令人頭痛。最終在 CLAB 的實際體驗非常棒,當角色動起來時,真的有種頭暈目眩的感覺,沉浸感超讚。

CREDITS

Source: 來源:CHENG WEIZHI: per end credits程威誌:依片尾名單

WORK INFO作品資訊

RIGHTS HOLDER版權方

All rights belong to the director and the production company; ROBOTOFU does not own the rights.本作版權屬導演與製作公司所有,ROBOTOFU 不持有本作版權。

PRODUCTION製作公司
  • 簡單映相有限公司 / Mandala Films

Source: 來源:C-LAB ↗

WATCH / LICENSE觀看與授權

For screening and licensing, contact the directing team or the production company Mandala Films. Contact: Yi-Ping Cheng Phone: +886 939 301 971 Email: ypcheng43@gmail.com放映與授權請洽導演團隊或製作公司簡單映相有限公司。 聯絡人:鄭怡萍 電話:0939-301-971 Email:ypcheng43@gmail.com

FESTIVALS & EXHIBITIONS影展與展出
  • Future Vision Lab 2025, Taiwan Contemporary Culture Lab (C-LAB) — dome theatre, 29 Nov – 21 Dec 2025C-LAB ↗
  • 2025 臺灣當代文化實驗場 C-LAB 未來視覺實驗室 Future Vision Lab 2025(穹頂劇場,11/29–12/21)C-LAB ↗
OFFICIAL LINKS官方連結

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