CONTRIBUTION · ROBOTOFU MEMBERS TOOK PART成員參與作品
Director Leo Liao × Movect Studios導演 廖偉智 × 魔特創意
Source: 來源：《極樂》官網 EP5 ↗
A science-fiction horror short directed by Leo Liao, episode five of the six-part anthology BLISS: Beyond the Edge of Time, turning the Taiwanese folk ritual of soul-calming into digital horror.廖偉智執導的科幻恐怖短片，六部曲動畫短片集《極樂 BLISS》第五集，把台灣民間的「收驚」轉化為數位世界的科幻恐怖。
In a future where souls can be digitised, the underworld has become a sealed digital zone. Yara (Lin Xing-yao) and a Taoist priest travel through virtual networks to bring back her husband's soul, and uncover the truth behind a tangled digital romance.
RE-SOUL (2026, 15 min) is produced by Movect Studios and combines live action, motion capture and 3D animation, in Mandarin and Taiwanese. It is part of BLISS: Beyond the Edge of Time, a Ministry of Culture–supported anthology in which six directors each build a story around an I Ching hexagram. The anthology had its world premiere at the Taipei Film Festival at Zhongshan Hall on 30 June 2026.
在靈魂可以被數位化的未來，陰間成了封閉的數位禁區。林星瑤與一位道士穿越虛擬網路，試圖找回丈夫的靈魂，卻揭開一段糾纏的數位愛情背後的真相。
《壓驚》（2026，15 分鐘）由魔特創意製作，結合實拍、動態捕捉與 3D 動畫，語言為華語與台語。本片收錄於文化部支持的動畫短片集《極樂 BLISS: Beyond the Edge of Time》，六位導演各以一個易經卦象發展故事；短片集於 2026 年 6 月 30 日在台北電影節中山堂世界首映。
RE-SOUL was a set of firsts for us. It was the first time CHENG WEIZHI, JIAYU LIU and BILLAIN worked together with a Taiwanese animation studio, and our first work with Taiwanese-language dialogue and a story rooted in Taoist culture. Following director Leo Liao and the Movect Studios team as they carried the familiar ritual of soul-calming into a digital underworld was a big step for us, and something we learned a great deal from.
In the parts we worked on, we brought in as many of the tools we know as we could. Costumes were cloth-simulated in Marvelous Designer. Characters were built in Character Creator and iClone 8, driven by Xsens motion capture and Faceware facial capture, with the actors' face recordings projected onto the 3D characters to preview and align performances. Smoke and mist were simulated in EmberGen, blood and black water in LiquiGen, and special projections and effects were made in Cinema 4D. BILLAIN scored the film in FL Studio, his tool of choice, and JIAYU LIU handled production scheduling and outside coordination.
We love how RE-SOUL lets folk belief and science fiction sit naturally together. Six Taiwanese studios releasing an anthology together and taking it to international festivals is also an experience we value.
《壓驚》對我們來說有很多個第一次。這是程威誌、劉家禹與 BILLAIN 第一次一起和台灣本土的動畫工作室合作，也是我們第一次參與有台語對白、以道教文化為題材的作品。能跟著廖偉智導演與魔特創意團隊，把大家熟悉的「收驚」帶進數位陰間，對我們是一次很大的突破，也是很珍貴的學習。
在我們參與的部分，我們把手上熟悉的工具盡量都用上了。角色服裝用 Marvelous Designer 做布料模擬；角色以 Character Creator 與 iClone 8 製作，搭配 Xsens 動作捕捉與 Faceware 臉部捕捉，並把演員的臉部錄影投射到 3D 角色上預覽、對位；煙霧與霧氣用 EmberGen 模擬，血液與黑水用 LiquiGen，特殊投影與特效則在 Cinema 4D 完成。BILLAIN 用他擅長的 FL Studio 製作配樂，劉家禹負責製作進度與對外協調。
我們喜歡《壓驚》讓民俗信仰與科幻自然地接在一起。六家台灣動畫工作室一起推出短片集、一起走向國際影展，也是我們很珍惜的經驗。
Source: 來源：《極樂》官網 EP5 ↗、Crew list per the end credits工作人員名單依片尾字幕
Flash Forward Entertainment 前景娛樂有限公司前景娛樂有限公司
© 2026 Flash Forward Entertainment. ROBOTOFU members worked on the film as crew and do not hold its rights.© 2026 前景娛樂有限公司。本作版權屬版權方所有，ROBOTOFU 成員以工作人員身分參與，不持有本作版權。
Source: 來源：《極樂》官網 EP5 ↗
Source: 來源：《極樂》官網 EP5 ↗
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